Reflection 2: Hang the DJ—Is Electronic Music "Real" Music?

Like any other art form, music must contend with advancements in technology. And like any other artists, musicians must decide what to embrace and what to reject. In the case of electronic music, battle lines were quickly drawn between "legitimate" musicians and those willing to forge into new territories. In the '70s and '80s, the objects of scorn were often Disco (e.g. Donna Summer, Giorgio Moroder) and Synth Pop (e.g. Depeche Mode, New Order). Though often acclaimed today, these records were routinely derided for their reliance on computers, drum machines, and synthesizers. In the early 21st century, Electronic Dance Music (EDM) is often at the center of the debate. When DJs command as much attention as performers, many rebuff EDM as electronic noises trying to pass off as music. Whether its Acid House, New Wave, Electronica, Dance Music, Industrial (NSFW), Trance, House, Dubstep, or Techno, will electronic music ever achieve full critical acceptance? Must music involve an instrument and a player to be legitimately considered music? Finally, who gets to decide what is and isn't music?

Include at least two of the following in your discussion:

• "Is Electronic Music "Real Music'?" (Seeker)
• "EDM, What is It? Why the Hate?" (Medium)
• "Stop Confusing EDM with All Electronic Music, Already" (Vice)
• "So You Think DJs Aren’t Real Musicians?" (ToneDeaf)
• "What to Tell Anyone Who Thinks EDM isn't Real Music" (Mic)

Requirements:

• MLA Style (includng works cited)
  
• Approx. 500 words

Submission window:  Wed. 10.25 - Sun 10.29